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May 24, 2012

The story of Apple's upside down logo


It was perhaps one of the most baffling and frustrating design choices Apple ever made: the upside down Apple logo. For those of you who haven't been using Macs long enough to remember this, the "upside down Apple logo" refers to how PowerBooks and iBooks used to display the Apple logo "pointing" at the floor when the laptop was opened.
Former Apple employee Joe Moreno reveals the story behind the upside down logo. Apparently when Apple designed the PowerBook and (later with Steve Jobs) the iBook they discovered that if they placed the Apple logo upside down from the user's prospective when the lid was closed, the user would constantly try to open the laptop from the wrong side -- by the hinges, because from that angle the Apple logo was right-side-up.
Now, you would think that a company that prides itself on its branding would want their logo right side up so all the passersby would see it in the correct orientation, but Steve Jobs thought the upside down Apple logo was the right way to go. As Moreno writes:
Steve Jobs always focuses on providing the best possible user experience and believed that it was more important to satisfy the user than the onlooker.
Thankfully, Jobs eventually reversed his decision. But this story does raise the question: were that many people really trying to open their laptops from the wrong side time after time again? If so, the upside down Apple logo is probably the least of their worries. It also goes to show that Steve Jobs, as great of a design genius as he was, didn't always make the right design choices the first time around.

Source: http://www.tuaw.com/2012/05/21/the-story-of-apples-upside-down-logo/

May 9, 2012

Welcome to the Era of Design

All businesses, no matter what they make or sell, should recognize the power and financial value of good design.



Obviously, there are many different types of design: graphic, brand, packaging, product, process, interior, interaction/user experience, Web and service design, to name but a few.
In this post, I am referring to design as a broad and deliberately applied discipline, with the aim of creating simpler, more meaningful, rewarding experiences for customers.

You see, expecting great design is no longer the preserve of a picky design-obsessed urban elite—that aesthetically sensitive clique who‘d never dare leave the house without their Philippe Starck eyewear and turtleneck sweaters and buy only the right kind of Scandinavian furniture. Instead, there’s a new, mass expectation of good design: that products and services will be better thought through, simplified, made more intuitive, elegant and more enjoyable to use.

Design has finally become democratized, and we marketers find ourselves with new standards to meet in this new “era of design.” To illustrate, Apple, the epitome of a design-led organization, now has a market capitalization of $570 billion, larger than the GDP of Switzerland. Its revenue is double Microsoft’s, a similar type of technology organization but one not truly led by design (just compare Microsoft Windows with Apple’s Lion operating system).

Every day my Twitter feed populates with astounding growth facts about the likes of Apple, Amazon, Facebook, Pinterest and the more recent travel site, AirBnB. It is no coincidence that these successful brands seem to really value design and utilize it to secure a competitive advantage.
Even the UK government has issued its “design principles,” naturally on a clean, easy-to-navigate website.
But why have people become so design sensitive? Why does that credit card mailer look so bad and dated now? Why can’t you access my account details? Why does airport signage seem so unhelpful? Why doesn’t that technology plug and play?

Perhaps Apple’s global dominance has elevated our design expectations, or Ikea’s vision to bring great design at affordable prices to everyone on the planet has finally taken effect, or perhaps the Internet has taught us what well-designed user experiences and good design really are. Likely, it is a combination of all.
What is certain is that the design bar has been raised and design-oriented businesses are winning.
Think how swiftly and strongly a design experience shapes our opinion of that brand, company or store, for good or bad. For instance, we know quickly when a website is bad. And we associate that feeling of frustration, or worse, disappointment with that brand.

Design-oriented organizations invest in thinking this stuff through. They put design at the heart of their company to guide innovation and to continually improve products, service and marketing. They recognize that a great design leads to differentiation, customer loyalty and higher profits.

First Direct, a UK bank, has designed all its service touchpoints so carefully that it has become the most referred financial brand in the UK, with over 82 percent of customers happy to recommend it to friends. It’s a joy to use via any channel, and despite being a bank, I’d happily recommend it.
When you buy Apple Care, instead of receiving the standard bland letter or email, you receive a nicely designed box containing the paperwork, guidance and all the information you need. You have questions? No problem. There are clear user diagrams and a simple section on the website to help you.
The impact on brand is that customers see these brands as both progressive and customer-centric. Thoughtful and innovative design makes us feel good. It is no surprise that we are happy to advocate them, talk about them in social media and can be fiercely brand loyal.

As Michael Eisner, former CEO of Disney, once said, “A brand is a living entity—and it is enriched or undermined cumulatively over time, the product of a thousand small gestures.” That thinking still holds true, but it all happens a lot faster now. Thanks to the Internet and a hyperconnected, social-media-fueled society, brands can be instantly undermined and that experience shared with millions.

So this is a call to action for executives to recognize this new era and make the effort to transform even a mundane product or service into something more rewarding and more memorable. Try to assess each element of your service or product and better it—to see design not just as a marketing thing but as a genuine source of competitive advantage, customer and employee satisfaction and, lastly, a route to higher profits.

Adam Swann is head of strategy at gyro New York

Follow Adam @swanninNYC

Source: http://www.forbes.com/sites/gyro/2012/05/03/welcome-to-the-era-of-design/

Nov 7, 2010

Font or Typeface?

Font or Typeface?
Last week over at the ISO50 blog, Alex Cornell wrote a great post about narrowing your font list down to bare necessities. I myself am guilty of installing nonsensical fonts and I am in the process of cleaning out my font book. I bring this up because towards the end of the post Alex mentions the use of “font” and “typeface” interchangeably.

I believe that one of the biggest issues in talking with other designers is being able to speak the same language. Through time we’ve pushed around these two terms so loosely that I would say, the majority of young to middle-aged designers probably can’t tell the difference.

Hit the jump to read the differences.

Font (or previously, fount) is derived from a Middle French word, fonte, meaning something that has been melted. In type founding, metal was melted then poured into a hand mould with a matrix, to cast each individual piece of movable type, known as a sort. Font, fount and fonte have a common ancestor in the Latin word, fons, meaning spring or source (of water). They are all related to the word, fountain. So, now you might be able to see why “font” is a word that describes a variant of a typeface, and a container for casting water on Christian babies’ heads.

A font is one member of a type family. It designates a specific member of a type family such as roman, bold, italic. If it helps, try thinking of a font as being the sons and daughters of a typeface. “Helvetica Neue 65 Medium”, “Helvetica Neue 45 Light”, “Helvetica Neue 73 Bold Extended” are all fonts in the Helvetica Neue typeface.

Font or Typeface?
A typeface is not a font, nor is a font a typeface. A typeface is a type family’s consistent visual appearance or design if you will. Much like we all have family names, type families have names. Take Helvetica Neue as an example. It’s type family name is “Helvetica Neue” and includes–as stated in the previous paragraph–light, thin, regular, medium, bold, heavy, extended and condensed fonts.

Font or Typeface?
In the era of metal type, a font used a specific point size with it (ex. “8-point Caslon Italic” or “10-point Caslon Italic”). Being that we are in a digital age, it really isn’t necessary to include the point size because the fonts are now scalable.

Font or Typeface?
Source Font Feed (http://blog.wanken.com/2009/08/font-or-typeface/)

Nov 4, 2010

Making An Impression With Your Company logo

With the right company logo, your brand and image could stay in the minds of potential customers long after they’ve seen it. But you have to have a professional-looking design. It’s all part of the impression you make in the few seconds a customer sees your logo or other parts of your image, like your marketing messages and business name, or when they hear about your company in their community.

You don’t have to be Coca-Cola or McDonalds to have an effective brand. With a little planning, you can create a powerful company logo for your business, no matter how small. It’s all in the design and execution.

If you’re like most small business owners, your logo doesn’t need to be globally recognized to be successful. It just has to meet your market. Having a powerful, clean company logo and supplementary image and value proposition is all you need to expand your company’s recognition.

It doesn’t cost a fortune. Having a good logo is a benefit any company can afford. By engaging a professional online designer firm and adhering to the following rules, you can rule your local market.
-Be aware of the brand image that your company logo to convey.
-Have a strong commitment to project your brand and company logo in a way that is sincere and dependable.
-Make room in your budget for enough money to get your image to your target market. But do enough research to make sure you’re not overpaying.
-Make sure your image is consistent on all markets and your message is clear to all potential customers.

Customers who are already bringing you their business will only form a stronger bond once they recognize the company logo and branding. Here are some tips for encouraging recall in your current customers:
-Keep a consistent design with your company logo.
-Keep a constant tone in your interactions with your customer. Do not vary from medium to medium.
-Be reliable in your level of quality, so that you won’t disappoint your customers.

Utilizing a well-managed brand and a professional company logo puts a shine on your business no matter how potential customers meet you. Don’t start out having to make excuses for your company and spending time convincing people to give your unprofessional business a chance. If you’ve fallen into that trap, it’s not too late to get your company, and your image, back on the right track.

Dec 20, 2009

Why do we need CMS?

Why do we need CMS?

Sometimes we are fed up with the CMS in our life. It is not as flexible or powerful as we wish it was. We may even wish it didn’t exist and we would be free to manage our website the way we want. Beware: life without a CMS is a terrible thing to live. This post travels back in 2001, when website and their content were exclusively managed by hand. Meet Ben, Webmaster for a cosmetic firm who has to mind a very large website.

8:42 am
Ben arrives in the office, turns on his computer and almost spills hot coffee on his keyboard : the homepage from 6 weeks ago is live again. He shouts. Someone over wrote the latest version again. As he is used to it, he always keep a backup on his desktop, so he can quickly fix it. He wishes he could know who did this, to have a word with him/her, and perhaps shout to him/her a little bit.

9:14 am
A new sub-site is planned to go live in two weeks time. Ben is in a hurry, he has just achieved designing the templates and now has to create each and every pages of the sub-site. Why would he complain ? Setting up 54 pages from scratch never killed any webmaster. And who needs spare time anyway?

10:07 am
Franck, from Marketing Department, rings and is not so happy. Results on Altavista are showing funny description for Dandruff Away, the firm new anti dandruff shampoo : “Wax-wax, a revolutionary hair-removal solution to make sure your legs are soft as silk”. “Oups” Ben says, someone forgot to update the meta description when the Dandruff Away page was sent live.

11:21 am
Ben almost spills dark coloured fuzzy drink on his keyboard : the homepage from 2 weeks ago is live again. He shouts, fixes it for the second time of the day and thinks he definitely needs to find out who did this.

11:38 am
“Hey everyone, I am updating the “About Us” page, don’t touch it for now guys.”, Peggy shouts from her cubicle, 3 rows away. Ben thinks he does not understand her constant need to shout that loud and update that bloody “About Us” page.

1:00 pm
Lunch. Ben manages to avoid Robert, a guy who always talk about menus built with Java applets.

1:44 pm
Margaret and Stephen, from Communication Department, are upon him. They need help as they have been both working on the same page and kept over writing one an other amendments. Now they don’t know what the new page should read as they don’t have a copy of the initial version anymore. Ben feels tired.

2:15 pm
Ben almost spills caffeine free tea on his keyboard : the homepage from 8 weeks ago is live again. He shouts, fixes it for the third time of the day and wishes there was a way it didn’t happen again.

3:27 pm
Ben takes a break. His personal way to unwind is to browse his website to check everything is in order. Dedication. Unfortunately he has to shout and jump and move his arms very fast when he discovers the new version of the “Delivery Policy” pages. The layout is totally different from the rest of the site : the logo colours have been altered, the left hand side navigation is gone and there are blinking red heading all over the page.

5:56 pm
It took a while but Ben finally managed to fix the “Delivery Policy” pages. It took even longer to explain to Henry why he should not amend it in such a way.

6:22 pm
Ben feels like going home now. Instead of that he almost spills mineral water on his keyboard : the homepage from 5 weeks ago is live again. He shouts, fixes it for the fourth time of the day and wishes there was a way it didn’t happen again.

6:31 pm
Ben goes home. He has a sore throat.

Now you know why CMS were invented: to prevent webmasters from getting sore throat after shouting too often and too loud.

Source: http://bit.ly/4tAFXJ

Dec 16, 2009

Sometimes we need to be Active. I mean ACT ive

Build Your Business Like A Rocket Launch

Think of it like a rocket, a rocket waste like 50% of it’s fuel just on the take off, once it builds that momentum, it takes much less fuel to keep the rocket moving.

So in the beginning you will be spending a lot of time building and promoting your business to launch it, once you are up and running you can just continue with what you have already done.

The only man who never makes a mistake is the man who never does anything.

Sometimes i meet people with huge potentials but theu are just left beside because they are not active.

Expose urself, Gamble, Act & Create Success. We can always find someone to answer when we ask but we can never wait for an answer when we just WAIT.

Present defines future.

So ACT n don't wait for a signal or a way. Just Create your way and Smile. It always comes up with new horizons.

If Anyone has something to discuss concerning this post please do not hesitate.

:)

When we Design & Plan, do we take in consideration the consumer or the user's Feedback?

Feedback and Reaction.

When we have a new project, as designer or creative people, we always seek to satisfy the client's needs. But we never think of Our Client's consumer needs. This is what matters when we talk business with our client.
After all advertising campaigns, Branding & Websites are just an investment from our client's side.
Success is to increase sales, to create awarness, to statisfy our client's consumer needs...

We arrive then to a point where we talk about the designer.

What Makes a good designer?
Talent or Degrees?